In 1787, Marie-Antoinette laid the first stone of what would become the present church Saint-Clodoald.Napoleon III fijnished the project in 1863. The church is designed by Jean-François Delarue (1815-1892) in a Romanesque Gothic style.
C3 The Grand Organ of the church of Saint‑Clodoald is based on a small standard‑series Cavaillé‑Coll instrument, ordered in 1876. The original organ, with 15 stops (19 including borrowed stops), had two 56‑note manuals and a 30‑note pedalboard. It was this instrument that Charles Gounod played, as he owned a villa in Saint‑Cloud located close to the church. Cavaillé‑Coll revised it in 1899, adding a Clairon to the Récit and a solid‑state pedal stop‑rail for the reeds. The first major rebuilding took place in 1926 with Auguste Convers: electrification and the addition of an expressive Positif with the following stops: Flûte creuse 8, Bourdon 8, Salicional 8, Flûte 4, Nasard, Octavin 2, Tierce, Piccolo 1, Trompette 8, Voix humaine 8. This transformation was not a long‑term success. In 1956, Erwin Muller carried out a reassembly with the addition of two stops, a Doublette and a Plein‑Jeux. In 1970, a further modification was initiated by Jean Maciet, the Titular organist, to be carried out by his son Adrien. The aim was to give the organ a neoclassical aesthetic. The work was never completed. 1993–1994 A 32‑note pedalboard was added and the instrument was cleaned by Adrien & Pierre Maciet. 2003–2006 Reconstruction by Pascal Quoirin: - The original Cavaillé‑Coll stops were restored to their original state. - The other stops were restored using existing materials or completed with new pipes.Source
Titular organist Pascale MelisOrganistes célèbres ayants illustré l’orgue par le passé : Charles Gounod, Henri Busser, Joseph Noyon et Gaston Litaize.Parish websiteVideoPascale MelisPhotoorgan: Dominique Lust (facebook)Eglise : Vincent Hildebrandt
C3 The Grand Organ of the church of Saint‑Clodoald is based on a small standard‑series Cavaillé‑Coll instrument, ordered in 1876. The original organ, with 15 stops (19 including borrowed stops), had two 56‑note manuals and a 30‑note pedalboard. It was this instrument that Charles Gounod played, as he owned a villa in Saint‑Cloud located close to the church. Cavaillé‑Coll revised it in 1899, adding a Clairon to the Récit and a solid‑state pedal stop‑rail for the reeds. The first major rebuilding took place in 1926 with Auguste Convers: electrification and the addition of an expressive Positif with the following stops: Flûte creuse 8, Bourdon 8, Salicional 8, Flûte 4, Nasard, Octavin 2, Tierce, Piccolo 1, Trompette 8, Voix humaine 8. This transformation was not a long‑term success. In 1956, Erwin Muller carried out a reassembly with the addition of two stops, a Doublette and a Plein‑Jeux. In 1970, a further modification was initiated by Jean Maciet, the Titular organist, to be carried out by his son Adrien. The aim was to give the organ a neoclassical aesthetic. The work was never completed. 1993–1994 A 32‑note pedalboard was added and the instrument was cleaned by Adrien & Pierre Maciet. 2003–2006 Reconstruction by Pascal Quoirin: - The original Cavaillé‑Coll stops were restored to their original state. - The other stops were restored using existing materials or completed with new pipes.Source
Titular organist Pascale MelisOrganistes célèbres ayants illustré l’orgue par le passé : Charles Gounod, Henri Busser, Joseph Noyon et Gaston Litaize.Parish websiteVideoPascale MelisPhotoorgan: Dominique Lust (facebook)Eglise : Vincent Hildebrandt